I mean obviously, you are always influenced by somebody, and of course, we are products of the late 80s and influenced by a lot of mid 80s thrash and the just regular metal of the 80s and all that. How did you discover your core sound in the late 80s and early 90s? You have a solid brand sound and song structures totally belonged to Cannibal Corpse from the very first day. Pretty good and feels like a movie, actually. It a great representation of what the song is about and it’s definitely Cannibal Corpse, he knows it needs to be that, yeah, it turned out great. the worst thing that everybody else does of course you know, “Hey, here is the final video here, what do you think? “ “Oh my god this is amazing! How did they do this? This is like a movie.” Amazing stuff, so. But when it comes down to what it is, it is more question for him, we don’t know the details of what he does o get these things done. Alex wrote Necrogenic so he was working more with him. Talked to whoever wrote the song lyrically. He gives us a little bit of an idea of what he is coming for. He wants to stay true to what the song is about. Since we are not involved in being in them, we leave it up to the director to do his job. We were not there in filming They are all filmed somewhere else. When it comes down to the video these days since of course, you noticed we are not in the videos. Great director, the great team he has got. He worked with us in the past with Kill or Become. Inhumane Harvest and Necrogenic Resurrection. Could you tell us the story and production behind it? How was it shot? It was pretty interesting and brutal by the way. You have just released a sick video for the song called Necrogenic Resurrection. So he put some new songs on the table and you are going there well about that as far I understand. Great for him to have this contribution what of the band. I think his songs turn out great, great fit for what we do. The 3 songs he wrote, Erik Rutan, but Erik Rutan writing for Cannibal Corpse. We have a new take on Cannibal Corpse, this version of Cannibal Corpse. And it was great to work with him in this sense now. When it all came to be, it was really a brainer not to want to get him in the band and he felt the same way, had a mutual feeling for that. Obviously, when everything happens, we finished off the touring with Red Before Black, he was on a few tours with us. We were on a tour with him and things like that. We knew him for a long time, like forever. Like I said we worked with him many times in the past. He is, of course, he tributes as much as possible. He wrote 3 songs, he composed them, wrote the lyrics and all that so obviously now that Erik’s in the band. He wrote 3 songs and it’s a big thing of course. How did it happen? What can you say about Erik’s participation in the Cannibal Corpse in this album? Erik Rutan is on the rank of Cannibal Corpse as a full-time axe shredder. We made work so it’s business as usual when it comes down to recording these days.īy the way, you just mentioned Erik Rutan and his Mana Studio. He has the ability to do that and he did. But that was kind of the only a little bit of a difference we had to contend with but it didn’t really make a difference at all because he did a great job. Amidst all pandemic, he wasn’t able to travel and he had to record his bass tracks in his home studio which was fine, it all worked great. The only difference was that Alex actually couldn’t record his bass tracks in Florida. We know what to expect and we’ve done it with given time. So I think that’s just what I like I said, goes with experience. As we go into the studio and belt this out. We really try to be prepared as much as we can. In-studio you are wasting time and you are wasting money if you are not prepared. We are no strangers to the studio now of course for doing that for so many years. We are recording at Mana Studios with Eric. So let’s talk about the recording and production process of Violence Unimagined. Really all songs are pretty catchy and brutal. When we wrote, we came up with really good songs. We are just getting better as songwriters, we’re just trying to write better songs like I said doing it in a time frame that we are given. As I said, we’ve been around for a long time, a matured band, we experienced a lot. We just, whatever comes out of us at a given time. When the time is made to write and create and record we do at that point. One every two years we are doing it basically. Next chapter, try to write some intense songs. And musically, the next step in the game really. We do what we do, we didn’t change it up too much at all. You know, we don’t really stray away from our material in the subject matter if we’re talking lyrically. What structures, tunes and ideas did you focus on while you were composing Violence Unimagined?
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